There are many places to play music over the summer, but not quite so many where one can take a trip to Mont Blanc with new found friends after the festival ends. That trip at the end of Music09 was just one of the (extra) musical experiences that led me to return this year. Spending two weeks and three meals a day with musical colleagues in little Blonay is like listening to a piece composed with a limited amount of material: it creates a highly focused and memorable impression and allows for rapid development in a short span of time. The materials of my last two summers
(photo by Lisa Moore)
at MusicX consisted of day hikes with my performers, conversational ping pong, and of course intense music making.
The latter activity was well represented in Wednesday night's Music10 composers' concert. Douglas Pew's En Los Muros De Arlés contained a beautiful variety of marimba timbres: quiet tremolos created by rubbing the mallets between two keys, and unfocused woody sounds made from bamboo-sheave mallets, among others. These colors were arrived at in cooperation with percussionist Yu-Chun Kuo - one of the many sorts of collaborative experiences that make the MusicX environment rewarding.
